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How long
have you been writing?
I have been
writing since I was a kid. I think I started my first book when I
was 12. I found it recently and was surprised that it actually had a
story line. Not a very good one, but it was there.
What
inspired you to write in the first place?
Books,
books, and more books. I’ve always loved to read and once I discovered
romances. . .well, the rest was history.
What
influenced you to get published?
I’ve had a
crystal clear image of my name on a cover since I first started
writing—basically as long as I can remember.
How long
did it take you to get your first book published?
I actually
did things backwards. I sold the first book I ever wrote to the first
editor to read it. Then I proceeded to make every beginners mistake ever
made in the history of publishing. After that it took 10 long years
before my second book was published.
How did
it feel when you first saw your book on the book store shelf?
Honestly,
the way it still feels. Unbelievable. I keep waiting for someone to
pinch me and tell me it’s not for real.
Your
book covers are very striking; do you have any input on the book covers?
I haven’t
had any input on my covers, but I believe I’ve been very lucky. I love
them!
ECHOES
and WHISPERS combine several genres: romantic suspense and paranormal, is
it difficult to combine them? And did you plan to combine these genres
from the inception of the books?
I’m not
really a planner. I’m what they call a pantser (seat of the pants
writer). So did I sit down and say I’m going to write A and mix it with
B? Nope. But that’s the kind of book I’ve always wanted to read. I’d be
reading someone else’s book and catch myself thinking, I wish this
suspense had more romance, or wish this romance had more thrills. So,
that’s what I try to write.
Do you
have a favorite genre?
I read it
all—except international intrigue and hard core military books, because
I’m just not smart enough to understand most of them.
J
Do you
find it difficult at times to write love/sex scenes?
Hmmm,
difficult is a subjective term. I think the challenge is getting the
emotion in those scenes. When I read a love scene, I want to feel what is
happening. I don’t need a manual on how to do it. And when I write them,
that’s what I hope I’m giving—the emotional connection. I am learning to
be “hotter” and I like that, as long as I don’t compromise the emotion
that goes with it.
Do you
have to do much research for your novels?
Lord, yes.
Sometimes it’s daunting how much research is needed. It’s amazing how
I’ll be writing away at a great clip and then something will just stop
me—did they have a certain material back then? What were the roads like?
How did they cook? Where was the nearest town? What was the population
at that time? There are so many little details that make the story unique
and I’m a stickler for getting them right.
Often a
writer’s first book is the toughest to write. Was this true for you? If
so, what helped you get through it? If it wasn’t the first, which one was
the most difficult to write? The easiest?
Actually,
the first was the easiest because I honestly didn’t know enough to be
afraid. Sounds silly, but it’s true. No one had ever told me how hard it
was going to be so I assumed that I’d write the book and sell it—which I
did.
The second
one was hard to sell, but I couldn’t NOT write it. I loved the story of
ECHOES, I was excited about the past life aspect and I couldn’t wait to
tell it. But it was a hard sell.
The hardest
to WRITE was WHISPERS. That was my first attempt under contract
and there were some hardships along the way. My editor left the
publishing house in the middle of the book and I was shuffled a couple of
times. Then I had the waves (hurricane waves) of self doubt. ECHOES had
won 3 awards and been a finalist in 4 or 5 others, and had received
glowing reviews. I was nearly crippled by my fear that WHISPERS wouldn’t
be as good. Or that it wouldn’t be ANY good. Or that it would just plain
suck. I lost sleep. I mean A LOT of sleep over it. I second-guessed
myself on every character, ever plot point, ever idea. It was the worst
experience of my life.
BUT, having
said that, surviving it and seeing WHISPERS get even better reviews than
ECHOES did (4 ½ stars from RT!) made me see that I’d beaten myself up over
my own insecurities. I feel like I’ve emerged a better writer and a
stronger person. Watch out world. The next book is going to be even
better. J
Do you usually
outline your stories before you write them, or do you "go with the flow"?
I go with
the flow, tidal waves, trickles. I really wish I could outline and follow
an outline, but it just doesn’t work that way for me. I don’t know until
I get there who is going to live or die.
Your
characters come to life in your books. Do you feel each of your
characters live with you as you write? Do their lives sometimes take over
a part of your life? Can you name an example?
Oh yes.
I’ll confess it here, but don’t tell my husband—I am so in love with the
hero of my new book. Sean. (sigh) I’m not kidding. I can tell you how
many hairs he has on his oh-so flat belly, where the tan line stops and
that sexy white strip beneath the waist of his jeans starts, how good he
smells. And it’s gotten a bit embarrassing how often I think of him when
I’m at my day job, falling asleep, waking up. Crazy.
Most authors
are also avid readers. Is this the case with you? If so, who are some of
your favorites? Have any influenced your writing?
People
laugh at me when I answer this question, because I have a lot of favorite
authors and they are all over the board—from Stephen King’s The Stand
(loved King’s early stuff, but not so much the later books) to Jane
Austen, Pride and Prejudice and Bronte’s Wuthering Heights to Gabaldon’s
Outlander to McMurty’s Lonesome Dove. Jenny Cruisie—Janet Evanonvich. I
could go on and on. . .
Vampires have
always been huge in movies and television. Has anything influenced you
from movies or television?
You know,
I’ve loved almost all of the Anita Blake books. And I loved Interview
with a Vampire. But I’m not so much a vampire person. I think some of
the heroes that have been written are EXTREMELY sexy, but I just can’t get
into the having my blood sucked for sex part of it. I feel like I’m
missing out. L
Have you ever
suffered from "writer’s block"? If so, what did you do to get out if it?
As I
mentioned above, my block was more about not trusting what I wrote than
not being able to write at all. I could write pages and pages, but I was
convinced it was all crap and should be shredded, then burned so it didn’t
spontaneously reassemble and go on to be read by some poor unsuspecting
soul. What got me through it was the simple fact that I needed to produce
a book and it would, ultimately, have my name on the cover. So I didn’t
burn said pages, but I did rewrite and rewrite and rewrite until I got it
right.
Did you ever
expect your books to become so popular?
My books
are popular? J
Sometimes being a writer is like working in a void. The feedback isn’t
necessarily shared with the writer on how well—or not—a book is doing.
That’s why the letters I get from readers are so cherished. They bridge
that void and let me know that I am connecting with people out there.
That is a tremendous feeling. But in a world where there are so many
WILDLY successful authors, I still very small potatoes.
Congratulations on your newest release WHISPERS. Are you working on
anything right now and can you tell us a teaser about these projects?
I actually
have several projects in the works and I’m not sure which will “go”
first. I have a time travel (which I hope to make a trilogy) that takes
place in the old west of Arizona and I’m working on a paranormal set in
Ireland (with Sean, *sigh*) which actually has potential of expanding to
two or three books as well. I’m thinking and working on them constantly.
In addition, I’ve been nurturing an idea a reader gave me when ECHOES came
out and that is to tell Caitlin’s story. I have to give her another year
or so to grow up, though. J
Any final
advice to aspiring authors?
Of course!
First I think the best advice I ever heard came from Bob Mayer at a
workshop he gave at SDSU Writers Conference. (If you ever have the chance
to attend his nuts and bolts workshops, they are excellent). He said,
“People will tell you to write what you know, but what you should write is
what you WANT to know.” I think that is so true. It’s the learning
something new and exciting and turning that into a story that I love.
Second
is—learn the business as much as you can before you sell your first book.
I’ve done so many things backwards in my career and it’s made the road
that much more difficult. Writing is an art, but publishing is a
business. You have to be skilled at both aspects of the industry to make
it. Get to a writers conference if you haven’t already. Join your local
organizations—especially when there are published writers willing to share
their knowledge. Beginner’s mistakes are hard to forgive when there are
thousands of people trying to break into the business that have done their
homework and aren’t making mistakes.
Do you have
anything to add?
Only thank
you so much for the great questions! I hope you’ll “have me back”
sometime. All my best!! Erin
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